
We’ve received many requests from readers asking us to post tips on how to tell if a piece of jewelry is the genuine article. For a definitive answer, you should always bring your piece to an expert to be evaluated. That said, there are things to look for to help you decide if you should take the next step and seek an expert opinion. As an example, we’ll use this platinum and diamond Edwardian pendant, circa 1910, pictured here front and back. As we mentioned in our previous post, there is a certain delicate, almost ephemeral quality to
Edwardian jewelry. This piece is no exception – it measures only 1 ½ by 1 ½ inches, and weighs next to nothing, making the intricate design all the more striking. The piece is so dainty, in fact, that you almost forget that it is made of platinum, a very durable metal. It was actually the use of platinum, which became more widespread in the beginning of the 20th century, that allowed for the lace-like Garland style that characterizes Edwardian jewelry. Gold and silver are softer metals, and therefore more metal is required to hold stones in place.
This particular piece is constructed by saw-piercing platinum, a technique that coincided with the rise in popularity of platinum jewelry. Saw-pierced pieces have a very open feel because of the amount of metal that is removed during the process. On this piece, the technique is complemented by millegrain-set diamonds, featuring a lovely
old mine cut diamond center, the earliest form of the brilliant cut diamond. The millegrain setting is a technique in which the stone is secured by tiny beads (or grains) of metal, giving the piece a very soft texture and reducing the glare of flat metal.

A good way to spot a true Edwardian piece is by looking at the back. Very fine pieces of Edwardian jewelry are as beautiful from the back as they are from the front, and could almost be worn either way. As you can see, this piece uses only enough metal to hold the stones in place. There are no globs of solder, which tend to plague pieces of lesser quality. If you think you have an Edwardian piece, feel the back to see if it is smooth and uniform. Craftsmanship was highly valued in the early 1900’s, and this type of workmanship is almost non-existent today. However, the current climate is ushering in a new definition of luxury – a renewed focus on quality and craftsmanship. If jewelers truly embrace this shift, it could be a very exciting time for the industry.